Kettle
Kettle is a file review desk for tighter coordination of agentic co-working projects. Read and approve a batch of files, then Kettle curates the next batch.
[ public record ]
A growing public record of projects, publications, software, talks, teaching, profiles, press, awards, and support. Major work receives a full project record. The rest remains findable through original synopses and labeled sources.
Kettle is a file review desk for tighter coordination of agentic co-working projects. Read and approve a batch of files, then Kettle curates the next batch.
I built an agentic research pipeline for data journalism: queries, entity resolution, analysis notebooks, and bulletproof verification leading to published investigations.
A process model, written with Tamara Munzner, for the below-the-waterline schemas and judgment that shape any data analysis, kept separate from the newsroom papers Charles co-authored as an academic advisor.
A cultural history of cryptography that follows codes and ciphers from specialized instruments into the infrastructure of everyday communication.
The software side of an agentic research desk: reusable skills, entity resolution, and multi-model evaluation that supported data-journalism investigations.
A collaborative photogrammetry project in which the seams and distortions of a 3D image record how a group tried to see together.
A ten-week School for Poetic Computation course about making media as a way to think through memory, ritual, collaboration, and everyday life.
The first published study of how SecureDrop entered newsroom routines and changed the practical conditions of protecting anonymous sources.
Research and writing on type as both cultural form and technical infrastructure, from the history of Impact to web fonts measured across millions of sites.
A cultural history of how codes and ciphers moved from the margins of everyday life to its infrastructure.
What is a single identity verification actually worth? A dollar figure, built up from Enigma's data.
Surfaced 8,747 federal mass-defendant cases from the RECAP archive to show how mass-litigation targets businesses that don't really exist.
What a shell company actually looks like, and how shared addresses, agents, and officers expose the networks behind them.
A cheeky twist on the 'bracketology' of sports prediction.
The state structures that make anonymous business ownership a paid feature.
How a Colorado licensing carve-out concentrated more than half of all crypto-named money-service-business registrants in a single state.
Regional variation, correlations, and fragmentation across the drug-testing lab industry.
How med spas use their business structure and registration to work around medical-practice rules.
How the web actually uses type, measured across millions of sites: what fonts get loaded, in what formats, and at what cost to the page.
The implausible, unvalidated officer names that slip into official state business registrations.
An interactive take on multi-table data wrangling that continues the work begun in Table Scraps.
How to read the identity of a business beyond its state filings: address clusters, contact graphs, zombie entities, and sudden proliferation.
How long businesses in the vice trades survive, compared across several categories.
A jurisdictional map of where corporate America incorporates, and why.
What a viral pizza review is actually worth, traced through review scores, revenue, foot traffic, and geography.
Revenue, geography, and star status, compared across more than 1,700 restaurants.
How seasonal Halloween stores occupy and reuse the empty shells of former retail space.
A process model for the hidden, below-the-waterline work of critical data analysis, reframed through an interpretivist lens.
Teaching photography, photogrammetry, and world-building as ways to think about memory, ritual, collaboration, and the ordinary business of living.
Web typography at global scale, from font formats and delivery to variable fonts, icons, and how type actually renders.
A look back at Knowing Together, and what a digital model can and cannot preserve of an embodied, collaborative experience.
Cryptography as a drawbridge mediating communications: raising and lowering access without tearing the channel down.
An ethnography of how journalists and data scientists actually clean data.
A framework for wrangling data spread across many tables, built from an artifact study of computational-journalism notebooks and pipelines.
A collaborative photogrammetry experiment that preserved distortion as evidence of the people and process behind a 3D image.
The doctoral dissertation behind Cryptographic Amnesia, examining how cryptography acquired new cultural and political meanings in twentieth-century America.
A beginner's guide that chooses a web font the right way round, starting from the content, its readers, the languages it has to cover, and what the browser has to do to render it.
The designers remaking Indian type for a moment when scripts, technologies, and reading habits are all changing at once.
The design and engineering decisions behind bringing Arabic typography onto digital screens.
A technical guide by Rod Sheeter to using downloadable fonts and making more deliberate typographic choices in Android applications.
Reads Benjamin’s theory of print as a media history problem: how a technology of reproduction reshapes what counts as culture.
How SecureDrop-era tooling made leaking easier for sources and safer for newsrooms, without trading one for the other.
The history and contemporary craft of designing type for the Cyrillic script.
Foundry practice, display type, and the constant reinvention of typographic form.
The first published study of how newsrooms adopted SecureDrop for secure communication with anonymous sources.
A national study of data-journalism teaching at 113 programs, with practical models for developing computational curricula.
Why journalism schools need computational literacy, not as a specialty, but as a core skill for reporting in a data-shaped world.
A cultural history of Impact, the typeface that became the definitive look of the image macro and the internet meme.
A history of sensing technology, and how measurement devices changed what a journalist can observe in the first place.
On Dietmar Elger's biography of the painter Gerhard Richter.
Text, voice, images, and PDFs go in; plain Markdown notes come out, all handled locally on your own machine.
Thousands of government datasets and billions of records, gathered into Enigma's Government Archive; led the writing and content strategy for the launch.
Thirty-five people made shared 3D images together in a collaborative photogrammetry experiment; this is its project site.
Metis, cunning intelligence, and the cultural history of hacking, worked through in conversation.
Plain-text formats and lightweight tools that make scholarly research more durable, portable, and reproducible, taught as a hands-on workshop.
Data journalism and visualization, and the institutions that turn them into public knowledge: a public lecture.
A history-of-technology talk on where the Vernam cipher got its randomness, and what it took to turn noise into a working key.
Media theory meets photography, 3D scanning, and Unity world-building over ten weeks.
Tableau's account of how the Teaching Data report informed a new curriculum.
Research tools, archives, Markdown, open systems, and the practical work behind SecureDrop and data journalism, covered in a long interview.
A Brown Institute project into the technologies and commercial relationships embedded in web pages.
Stanford's announcement of the 2014 Magic Grants, including the team behind De-Glass and the project that became Web Transparency and SearchLight.
Honorable mention for Dirty Data in the Newsroom, led by Stephen Kasica with co-authors Charles Berret and Tamara Munzner. Charles's role was academic advisor and co-author on the doctoral research, not sole or lead authorship.
Tainted Water, by the Institute for Investigative Journalism and its media partners, received the 2019 Canadian Association of Journalists Data Journalism Award, announced in 2020.
Knowing Together was selected as a best-in-show finalist for the ACM SIGGRAPH Art Gallery, recognizing its collaborative photogrammetry installation.